Use the frame delay menu beneath each frame to control how long it’s visible. The more frames you add, the bigger the file size, so tween with caution! Click OK and Photoshop adds the new frames (circled). In the resulting dialog box, tell Photoshop which frame to tween the active one with (Next Frame was used here) and enter how many frames of fading you want in the Frames to Add field. To do it, activate the frame you want to fade into the next one (say, the “call to action” frame) and click the Tween button (it looks like a diagonal row of squares and it’s at left of the duplicate button). You can also add a fade transition between frames, which is called tweening. Adding a blank frame between two text frames (the first and last) helps keep text readable once the animation loops during playback (bottom). Here the call to action frame appears after the final costume photo, followed by a “blank” frame containing only the background.Īfter clicking the duplicate button (circled), use layer visibility to display the content you want to appear in the second frame (top). Keep adding frames and adjusting layer visibility until you’ve completed the animation. In the Layers panel, use the visibility icons to display only the layer(s) containing the content for the second frame in your animation. Since frame content is determined by layer visibility, the new frame is identical to the first one. To add a new frame, click the “Duplicate selected frames” button (circled). Here’s what the Timeline panel looks like when you first open it (top) and here’s what it looks like after clicking the “Create Frame Animation” button. Each frame serves as a placeholder for the content you want to show onscreen, which you control using layer visibility. Click the Create Frame Animation button that appears and Photoshop creates one frame representing what’s currently visible in the Layers panel. In the resulting panel, click the down-pointing icon to the right of the Create Video Timeline button and choose Create Frame Animation. As you can see, only the layers for the first frame are visible. This Layers panel shows all the animation content. Once your content is complete, turn off the layer visibility icons (circled) for everything except what you want visible on the first frame. The latter gives your audience an action to do, and lets you gauge the ad’s success rate. Be sure to include a layer for branding (say, your logo) and a “call to action” layer (say, “click here to get 50% off your first sitting”). Photoshop surrounds the image with resizing handles Shift-drag any corner handle to resize the image and then press Return. To add images to the document, choose File > Place Embedded (File > Place in earlier versions). SRGB is the standard color space for the Internet, so designing in that space avoids color shifting when you save the file. Enter 72 for resolution, set the Color Mode menu to RGB, and choose sRGB from the Color Profile menu. In the resulting dialog box, enter the animation width and height (say, 300×250 pixels). In this column, you’ll learn to use Photoshop to make an animated GIF that cycles through several images-including ones with text-to create a slideshow that plays automatically on the web.įire up Photoshop (CS6 Extended or any version of CC) and choose File > New. Creating an animation isn’t as complicated as it sounds, and the technique comes in handy when you’re making web ads, where space is at a premium.
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